Mario Luciano's Polyphonic Music Library: The Vintage Samples Behind Drake, Kendrick, and J. Cole Hits
Mario Luciano: The Analog Soul Behind Today's Biggest Hits How a Seattle producer's vintage-inspired sample library ended up on tracks by Drake, Kendrick Lamar, and more The Vinyl Alchemist When Drake's "8AM in Charlotte" dropped in 2023, music fans worldwide heard something hauntingly familiar yet impossible to place - a soulful, crackling gospel sample that sounded ripped from a dusty 1970s vinyl. But this wasn't some obscure record store find. The sample came from Mario Luciano's Polyphonic Music Library (PML), a boutique collection of new recordings meticulously crafted to sound decades old. "I wanted to bring back the authenticity of 60s and 70s recordings," explains Luciano, the Seattle-based producer whose vintage-inspired creations have quietly infiltrated hip-hop's biggest releases since 2019. From Bedroom Producer to Grammy Credits Luciano's journey began with an obsession. Growing up immersed in the warm textures of church gospel, vintage soul, and psychedelic jazz, he became fixated on a question: how exactly did those old records sound so alive? Instead of relying on digital plugins like most of his peers, Luciano dove headfirst into old-school methodology: Recording to analog tape Using period-correct instruments and amplifiers Embracing imperfections that give vintage recordings character Studying the recording techniques of different eras and regions This obsessive commitment paid off. By his late twenties, Luciano had earned co-production credits with prominent names, including a placement on H.E.R.'s hit single "Slide" (2019) and even a Grammy nomination for his contributions to other projects. The Library That Bridged Decades In late 2019, frustrated by generic sample packs flooding the market, Luciano launched the Polyphonic Music Library as a passion project. His mission was simple but ambitious: produce new music that sounds genuinely old. The PML quickly gained industry attention through releases like: Mario Luciano Vol.1 - Original compositions and analog drum breaks Soul Expressions - Lush 70s soul-inspired grooves Cinema Themes - Dramatic soundtrack-style compositions Regional collections like Italia, Brasil, and Japan Within just two years, this one-man operation had placed samples on tracks by an impressive roster: Drake, Kendrick Lamar, J. Cole, Madlib, Jack Harlow, Westside Gunn, and Conway the Machine. Inside the Analog Laboratory What sets the Polyphonic Music Library apart is Luciano's painstaking production process. Each composition begins with live instruments: "I'll start with melodies on a vintage keyboard or Moog One synthesizer, then layer real horns, flutes, strings, Hammond B3 organ, guitars... capturing everything through ribbon microphones and tube compressors to get that warm room sound." Every step favors authenticity over convenience. Luciano processes sounds through: RCA BX-44 ribbon microphones Teletronix LA-2A tube compressors Roland Space Echo tape delays Vintage Fender Vibrosonic amplifiers The results often include intentional "aging" - subtle tape hiss, vinyl crackle, or looser timing on drum fills - all serving the illusion of a discovered record rather than a new creation. From Library to Billboard The library's influence reached new heights when: Drake built "8AM in Charlotte" (2023) around a haunting Polyphonic gospel-soul sample Kendrick Lamar tapped Luciano's work for "Savior" from his Grammy-winning album J. Cole's "p u n c h i n' . t h e . c l o c k" (2021) featured a soulful Luciano co-production Jack Harlow gave "Is That Ight?" (2023) a distinctly old-school foundation Even sampling legend Madlib recognized Luciano's talent, inviting him to contribute "Shades of Mauve" to the Madlib Invazion Music Library Series in 2024 - a collaborative album with vocalist Lauren Santi released on limited edition vinyl. A Musical Time Machine PML's catalog traverses multiple genres while maintaining its vintage authenticity: Gospel and Soul: Church choirs and uplifting brass sections Jazz and Funk: Modal explorations and electric grooves Psychedelic Rock: Wailing guitars and spacey, tape-warped effects Cinematic Soundscapes: Dramatic orchestral arrangements Regional Genres: Italian library music, Brazilian bossa nova, French yé-yé The Analog Renaissance Luciano's success represents a cultural shift in music production. In an era when technology allows producers to create entirely "in the box," his work reasserts the value of analog processes and live performance. Egon (Eothen Alapatt), the respected curator behind Madlib Invazion, praised Luciano's work as having "shades of the coolest French library albums of the 70s" - positioning PML in the lineage of classic library records now considered cultural artifacts. As sampling continues to drive popular music, Mario Luciano ensures that today's charts remain connected to analog traditions. Through the Polyphonic Music Library, he's created a feedback loop where past and present harmonize - preserving musical traditions by reimagining them for today's producers. Listen to the Polyphonic Music Library
Patina – Free Vinyl Simulator: Bring Authentic Record Warmth to Your Digital Tracks
Patina: The Free Browser-Based Vinyl Record Simulator Digital audio is pristine and precise—yet there’s something magical about the warmth and character of vinyl. Patina, created by Al Hug and Faison of Minta Foundry, blends those old-school imperfections with modern convenience by running entirely in your browser. It’s free, it’s authentic, and it’s ready to inject a timeless vibe into your tracks. The Beauty of Vinyl Imperfections Vinyl carries a certain life that digital formats often miss. Each record is shaped by real-world physics: the grooves, the gentle compression from the needle, and the scratches acquired over time. These so-called “flaws” are actually what make vinyl special. The gentle crackle, the wear on the grooves, the subtle wow and flutter—together, they produce a sound that feels immediately familiar and alive. Patina recreates these qualities so convincingly, you’ll swear you’re listening to a dusty LP spinning on a vintage turntable. How Patina Captures the Vinyl Experience Patina isn’t just adding random noise on top of your audio. Every effect is carefully modeled to respond dynamically, creating an ever-evolving sonic texture that mirrors how a real record wears and warps over time. Needle noise, spindle eccentricity, and even the classic RIAA curve have all been integrated. This ensures that everything from the initial crackle to the final fade-out replicates the true character of vinyl playback—no hardware required. More Than Just a Web Tool One of the biggest draws of Patina is its ease of use: simply drag, drop, and tweak right in your browser. But the vision doesn’t stop there. The team behind Patina understands that professional producers and sound designers often work within DAWs. That’s why they’re considering a plug-in version, allowing you to seamlessly integrate vinyl textures into your workflow without ever leaving your production environment. The Depth of Patina’s Emulation Vinyl’s natural wear and tear is captured across multiple dimensions in Patina. The Vinyl Texture Engine covers everything from pristine, barely touched grooves to decades-old static and crackle. The Warp & Deterioration Module handles subtle pitch fluctuations, and the Stylus & Groove Damage Simulation reproduces the compression and harmonic coloration you’d get from a needle that’s been around the block. There’s also Realistic RIAA EQ Filtering to shape the frequency response, while dropout and pitch modulation controls let you fine-tune the quirks of a turntable that’s seen a few too many spins. For those who want an even rawer feel, Pinch Distortion & Worn Stylus Effects can add extra grit and character. The Mastering Stage: A Final Touch of Authenticity Patina goes beyond simple vinyl artifacts by offering a Mastering Stage Selection, replicating the final step in the record-making process. You can choose a neutral chain or evoke iconic mastering styles—from the punchy warmth of Motown to the polished depth of Abbey Road. Each profile lends its own distinct personality, letting you sculpt exactly the vibe you want. Whether you want a velvety jazz aesthetic or the raw grit of an old-school hip-hop pressing, this feature puts the final sonic signature in your hands. Looking Ahead Because Patina’s sonic range fits so many genres—from lo-fi beats to cinematic soundscapes—you can explore new textures and nostalgia-tinged tones with minimal effort. Producers looking for that authentic drum-break vibe, or sound designers seeking an analog flourish, will find Patina invaluable. And with a DAW-compatible version in development, integrating these vinyl touches directly into your workflow will soon be even easier. Fire It Up Patina is free, accessible, and surprisingly realistic—just upload your track, dial in the right amount of warp, dust, and warmth, and download the result. It’s a quick, cost-free way to experience the soulful imperfections of vinyl without the hassle of physical gear. Head over to Patina and give it a spin. If you’re craving more sonic goodness, don’t forget to check out everything else Minta Foundry has on offer. Your digital recordings may never sound quite the same—and that’s exactly the point.
Building Better Drums: A Conversation with Producer/Engineer Damon Flores
Building Better Drums: A Conversation with Producer/Engineer Damon Flores “I just want to provide for my family doing what I love.” – Damon Flores For years, Dutch producer and freelance IT specialist Damon Flores has juggled a career in tech while honing his craft in beatmaking and drum programming. He’s partnered with globally recognized sample creators, shared tips with fellow producers from around the world, and steadily built a reputation for lush, hard-hitting drum patterns that make people sit up and take notice. In our wide-ranging chat, Damon broke down his process for creating and mixing drums—both on the MPC and in Ableton Live—while reflecting on how he balances family life, IT work, and a passion for music. The Beats From IT to MPC: A Quick Background Growing up in the Netherlands, Damon bounced in and out of music throughout his life. Despite long spells away from production—prompted by family responsibilities or lack of inspiration—he always found himself gravitating back to beats. In 2019, right before the pandemic, he committed to going “all in,” investing in his setup and dedicating daily time to refine his sound. Four years later, that effort has paid off. Damon’s beat videos have reached an international audience that often mistakes him for a New York-based producer, thanks to the New York-influenced grit of his drums and the high production value of his video content. He’s quick to emphasize that “If you want something to be great, you have to invest in yourself and your gear.” Drums on the MPC: One-Shots and Breaks Damon’s approach on the MPC can be split into two primary methods: using one-shots and chopping drum breaks. Using One-Shots Building the Drum Program Damon starts by loading an empty drum program with carefully selected kicks, snares, hats, and occasional percussion. Sometimes these one-shots come straight from his library; other times, he routes them through the SP-404 first for some character.A dedicated “ghost kick” pad is crucial to Damon’s workflow, sitting at a lower volume and rolled-off high end. “The ghost kick keeps the groove breathing,” he explains. He also sets his main kick as a sidechain input for the Mother Ducker plug-in. Staying in tune is important, and Damon often tunes his Kick drum to the sample or melody as needed Sequencing & Groove He typically finger-drums a 4-bar loop and, on the final bar, either strips out the main drum hits or adds a quick fill for variety. Subtle nudging of the snare and ghost kick helps achieve an off-grid swing. For hi-hats, he’ll use the MPC’s humanize function to randomize velocities and avoid sterile repetition. Color & Cohesion Plug-ins like Air Flavor Pro add warmth or vintage flair. If the drum track needs extra glue, he’ll apply gentle bus compression on the entire drum program. Chopping Drum Breaks Slice and Shuffle Damon chops breaks into quarter-note slices (or smaller) to rearrange them freely. After slicing, he may boost or soften individual hits. Layering & Pitch If a break’s hi-hats feel under powered, he layers them with additional hats or percussive loops. Pitch adjustments (up or down) further personalize the break. Favorite break sources include Bizkel, Beat Butcha, and Skyking—all known for distinctive textures. The Ableton Live Workflow Though the MPC remains a cornerstone of Damon’s style, Ableton Live has carved out a permanent space in his production process. He’s been using it since 2010 and loves Push and the new Ableton Move for hands-on control and faster sample manipulation. Drum Rack Setup In Live, Damon loads one-shots into an empty Drum Rack, keeps velocity fixed for kicks and snares, and allows dynamic variation for hi-hats. He maintains a pad specifically for ghost kicks—“It’s essential,” he says. EQ Eight is used to roll off lows on hats and snares, ensuring clarity in the lower frequency range. Groove Pool Magic Damon often experiments with the Groove Pool, selecting classic MPC 3000 or SP1200 swing presets to add an old-school feel. Colorful Plug-ins Among his favorites are RC-20, Soundtoys Decapitator, KNOCK, and Serato HEX. “HEX feels more modern. You can dial in grit on the fly,” he notes. For cohesive bus processing, he often turns to Ableton’s Glue Compressor, Goodhertz Vulf, or the SSL Bus+ for a final polish. Using Breaks in Live Damon’s process with breaks in Live echoes his MPC routine: slicing into a MIDI track, rearranging hits, and tweaking pitch or layering additional percussion for unique character. He might also push the break through the SP-404 or Analog Heat for extra saturation. “Sometimes if the drums are too clean, you need that analog gear to give it bite,” he explains. External Gear and That “Secret Sauce” While many producers rely purely on software, Damon prefers a hybrid setup. He frequently runs the master output from his MPC or standalone samplers through an Elektron Analog Heat and SSL Fusion, adding harmonic saturation and analog warmth before finalizing tracks in Ableton. The SP-404 also comes into play for vinyl simulation, compression, and that distinctive lo-fi texture. “I like it when the sample pack maker leaves a bit of headroom—if it’s too loud from the start, I can’t add my own sauce.” Less Is More In a world over-saturated with plug-ins, sample libraries, and social media “hustle culture,” Damon takes a more restrained approach. “If it sounds good, it’s good. Don’t overthink it,” he says. He admits to owning a stack of unused plug-ins but notes that he returns to the same few tried-and-true tools over and over again. He also stresses consistency over constant pressure: “I used to post two beat videos a day, every day, even while moving into a new house. Now I’ve got a more balanced system—work smarter, not harder.” Final Thoughts For Damon, the goal is simple: make great-sounding drums that knock, while keeping the creative spark alive. Whether he’s finger-drumming on the MPC, layering a break in Live, or running everything through outboard gear for extra grit, the key ingredient is always his ears—and a willingness to experiment. “One day I might focus on a single break; the next, I’m layering 32 sample chops. If it fits the track and makes my head nod, I roll with it.” To keep up with Damon’s drum experiments, follow him on Instagram or Spotify—and be on the lookout for more behind-the-scenes posts on drum production, gear talk, and everything in between. Follow Damon Flores on Instagram Follow Damon Flores on Spotify Disclaimer: All brand and product names (MPC, SP-404, Ableton Live, etc.) are the property of their respective owners. No official affiliation or endorsement is implied.